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Homeworld: Deserts of Kharak Trailer

Homeworld: Deserts of Kharak is a real-time strategy gaming produced by Blackbird Interactive and posted by Gearbox Software. The overall game premiered on January 20, 2016, and it is a prequel to the 1999 space-based real-time strategy gaming Homeworld.
The game is defined on the desert globe of Kharak, the home-in-exile of the Kushan (Hiigaran) people, 106 years before the occasions of Homeworld. Kharak is a dying world, the desert growing with each passing year larger, and the Kushan clans wage war amidst one another regularly. A satellite detects an object in the fantastic Banded Desert then, known as the Jaraci Object, or the "primary anomaly". The Coalition acquired directed an expedition of the North Kiithid, a put together band of Kushan clans from the north polar region of Kharak, but had vanished in the desert four years before; the in-game plan centers around another expedition, and its own chief science official, Rachel S'jet.
Rachel's expedition, focused surrounding the Kiith S'jet land carrier Kapisi, departs from Epsilon Platform in the Kharakian desert. Soon after the expedition departs, however, Kiith Gaalsien (several spiritual zealots exiled from mainstream Kharakian world) strike and destroy lots of Coalition bases, including Epsilon, and lay siege to the populous city of Tiir, the planetary capital. The Gaalsien then strike the Kapisi at a S'jet basic known as the Boneyard, as the Kapisi is considering last outfitting for desert functions. A masked Gaalsien commander known as Khagaan declares that the Coalition's use of satellites and other space-based technology violates regulations of the fantastic Manufacturer, Sajuuk, and the Gaalsien declare conflict on the Coalition. Escaping from the Boneyard under cover of an sandstorm, the Kapisi looks for their sister dispatch, the Kiith Siidim carrier Sakala, which escaped its foundation following a Gaalsien harm also.
In an area called Hell's Gate, the expedition stumbles after the wreck of another S'jet carrier, the Ifriit Naabal, the flagship of the first expedition four years previously; Rachel's elder sibling Jacob have been first official of the carrier, which retrieved an artifact from the wreckage of the space-going vessel called the Kalash. The expedition steps directly into salvage more artifacts from the Kalash, but come under strike from superior Gaalsien causes, led by Khagaan from the carrier Ashoka. As the expedition is going to be overrun just, the Sakala and its own escorts turn up with reinforcements, driving a car the Gaalsien makes off. The Sakala pulls from the Ashoka as the Gaalsien is attacked by the Kapisi tool functions, however the Gaalsien carrier changes course to assault the Kapisi and its own escorts. Regardless of the Gaalsien carrier's defenses and EMP weaponry, the Coalition makes engage and eliminate the Ashoka.
Approaching the advantage of Gaalsien place, the two service providers assault a Gaalsien fortress, again using the Sakala to sketch from the base's defenders as the Kapisi disorders the resource businesses. Being able to access the Gaalsien data source, Rachel discovers that her sibling had survived for a long time in Gaalsien guardianship, and that the Jaraci be presumed by the Gaalsien Object to be the mythical Khar-Toba, the "First City" and source of Kushan civilization. The Gaalsien innovator, the K'Had Sajuuk, feels he'll become ruler of most Kharak if he gets into the temple of Khar-Toba. Along the real way, the expedition also discovers lots of shipwrecks that are largely intact regardless of how old they are and conditions in the desert, and Rachel theorizes that they in fact materialized inside solid rock (referencing the hyperspace skills of vessels by enough time of Homeworld), having been intercepted by the energy included within the Jaraci Thing site forcibly. Making their way through the narrow canyon into an area the Gaalsien call the "Dreamlands", the Kapisi and the Sakala engage and destroy two Gaalsien carriers, and fight their way to a higher plateau to be able to acquire critical supplies via airborne cargo landers using their leaders in Tiir.
As the K'Had Sajuuk's makes approach the principal anomaly, a weaponry satellite opens flame about them from orbit; Rachel leaves to research the foundation of the indication that activated the satellite television, as the Kapisi contains its surface against enemy makes on the plateau to be able to secure a runway for the landers. As the Coalition pushes gain the top hands just, however, the Siidim pushes betray them, beginning hearth on the S'jet cargo landers; the Siidim, long-time foes of the Gaalsien, declare that they only were of divine origins and would "purify" the desert, which Khar-Toba and its own secrets were theirs to promise. Rachel discovers that the transmission that activated the orbital satellite tv was from a Taiidan carrier, which crashed on the top after deploying the tool; Jacob used the transponder to activate the satellite tv himself before dying of vulnerability and hunger. Rachel escapes the wreck with the transponder and makes a rendezvous with the Kapisi, which destroys and engages the Sakala and its own escort pushes.

Using the Siidim defeated, Rachel trips prior to the expedition, sensing that Khar-Toba is actually a historical starship, bounded by a historical city buried in the fine sand. The expedition creates a scanning device network throughout the wreck to raised immediate the Taiidan tool dish in orbit, and face the K'Had Sajuuk, commanding a distinctive flagship-style carrier. The Gaalsien be damaged by the Coalition makes flagship in a heated up struggle; as his ship is consumed in the explosion, the K'Had Sajuuk warns that Kharak would be destroyed by fire from the sky (prophetically referencing the events of Homeworld) therefore of the Coalition's actions. At the final end, Rachel shows that her sibling had thought the salvation of these visitors to be within the desert as the arena pans out from Khar-Toba towards the night time sky, and the near future that could await the Kushan in the hundred years to come.

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